They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the end,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
is about working-class gay youths coming together in South East London amid a backdrop of boozy, poisonous masculinity. This sweet story about two high school boys falling in love for that first time gets extra credit score for introducing a younger generation on the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.
Considering the plethora of podcasts that persuade us to welcome brutal murderers into our earbuds each week (and how eager many of us are to take action), it may be hard to assume a time when serial killers were a genuinely taboo subject. In many ways, we have “The Silence in the Lambs” to thank for that paradigm shift. Jonathan Demme’s film did as much to humanize depraved criminals as any bit of up to date artwork, thanks in large part into a chillingly magnetic performance from Anthony Hopkins.
To discuss the magic of “Close-Up” is to debate the magic of your movies themselves (its title alludes to the particular shot of Sabzian in court, but also to the sort of illusion that happens right in front of your face). In that light, Kiarostami’s dextrous work of postrevolutionary meta-fiction so naturally positions itself as on the list of greatest films ever made because it doubles since the ultimate self-portrait of cinema itself; in the medium’s tenuous relationship with truth, of its singular capacity for exploitation, and of its unmatched power for perverting reality into something more profound.
The emotions involved with the passage of time is a major thing for your director, and with this film he was able to do in a single night what he does with the sprawling temporal canvas of “Boyhood” or “Before” trilogy, as he captures many feelings at once: what it means to generally be a freshman kissing a cool older girl as the Sunlight rises, the perception of being a senior staring at the conclusion of the party, and why the sexvid end of one major life stage can feel so aimless and Peculiar. —CO
Oh, and blink and you also gained’t miss legendary dancer and actress Ann Miller in her final major-display screen performance.
It’s no accident that “Porco Rosso” is set at the peak on the interwar time period, the film’s hyper-fluid animation and general air of frivolity shadowed from the looming specter of fascism and a deep feeling of future nostalgia for all that would be forfeited to it. But there’s also such a rich vein of fun to it — this is usually a movie that feels as breezy and ecstatic as flying a Ghibli plane through a clear summer afternoon (or at least as ecstatic mainly because it makes that seem to xham be).
Skip Ryan Murphy’s 2020 remake for Netflix and go straight for the original from 50 years earlier. The first film adaptation of Mart Crowley’s 1968 Off-Broadway play is notable for being one of several first American movies to revolve entirely around gay characters.
From the very first scene, which ends with an empty can of insecticide rolling down a road for therefore long that you could’t help but talk to yourself a litany of instructive concerns as you watch it (e.g. “Why is Kiarostami showing us this instead of Sabzian’s arrest?” “What does it counsel about the artifice of this story’s design?”), for the courtroom scenes that are dictated from the demands of Kiarostami’s camera, and then for thai street whore loves being creampied by foreigners the soul-altering finale, which finds a tearful Sabzian collapsing into the arms of his personal hero, “Close-Up” convincingly illustrates how cinema has the chance to transform the fabric of life itself.
None of this would have been possible if not for Jim Carrey’s career-defining performance. No other actor could have captured the mixture of joy and darkness that made Truman Burbank so captivating to both the fictional viewers watching his show plus nicolette shea the moviegoers in 1998.
foil, the nameless hero manifesting an imaginary friend from every one of the banal things he’s been conditioned to want and become. Quoth Tyler Durden: “I look like you wanna look, I fuck like you wanna fuck, I'm clever, capable, and most importantly, I'm free sex photo in every one of the ways that You aren't.
Despite criticism for its fictionalized account of Wegener’s story plus the casting of cisgender actor Eddie Redmayne during the title role, the film was a crowd-pleaser that performed well within the box office.
The Palme d’Or winner is now such an accepted classic, such a part on the canon that we forget how radical it absolutely was in 1994: a work of such style and slickness it won over even the Academy, earning seven Oscar nominations… for just a movie featuring loving monologues about fast food, “Kung Fu,” and Christopher Walken keeping a beloved heirloom watch up his ass.
can be a blockbuster, an original outing that also lovingly gathers together a number of string and still feels wholly itself at the top. In some ways, what that Wachowskis first made (and then attempted to make again in three subsequent sequels, including a the latest reimagining that only Lana participated in making) at the top the decade was a last gasp from the kind of righteous creative imagination that experienced made the ’90s so special.